|
Il Grande Inquisitor
|
 |
« Reply #1575 on: 23:16:05, 03-03-2008 » |
|
And Puzzle 259 - SendSpace or Rapidshare |
|
|
|
|
Logged
|
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
|
|
|
|
Baz
Guest
|
|
« Reply #1576 on: 23:20:44, 03-03-2008 » |
|
Haydn 'Lark' quartet in D, Op. 65 (Slow movt) |
|
|
|
|
Logged
|
|
|
|
|
Il Grande Inquisitor
|
|
« Reply #1577 on: 23:22:35, 03-03-2008 » |
|
Haydn 'Lark' quartet in D, Op. 65 (Slow movt) On form this evening, Mr Iron. That is indeed the correct answer!  |
|
|
|
|
Logged
|
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
|
|
|
|
Baz
Guest
|
|
« Reply #1578 on: 23:24:07, 03-03-2008 » |
|
|
|
|
|
|
Logged
|
|
|
|
|
Il Grande Inquisitor
|
|
« Reply #1579 on: 23:31:02, 03-03-2008 » |
|
Puzzle 260: Here and here |
|
|
|
|
Logged
|
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
|
|
|
|
thompson1780
|
|
« Reply #1580 on: 23:32:28, 03-03-2008 » |
|
Is 257 the Golden Spinning Wheel then? (Dvorak of course)
Mr Sudden, Sadly, incorrect Mr 1780 |
|
|
|
|
Logged
|
Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
|
|
|
|
thompson1780
|
|
« Reply #1581 on: 23:43:33, 03-03-2008 » |
|
Some cheese before bedtime..... Puzzle 261 in Rapidshare (sorry can't get sendspace just now) Just makes me smile - especially what I suspect is up-bow spiccato! Mr 1780 |
|
|
|
« Last Edit: 23:46:55, 03-03-2008 by thompson1780 »
|
Logged
|
Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
|
|
|
|
strinasacchi
|
|
« Reply #1582 on: 23:46:46, 03-03-2008 » |
|
Aaaargh! Tommo you've just brought back nightmarish memories of trying to learn that! Aaaargh!
|
|
|
|
|
Logged
|
|
|
|
|
oliver sudden
|
|
« Reply #1583 on: 23:55:56, 03-03-2008 » |
|
Another clue for puzzle 225. Several Members have already worked out that the composer must be the gentleman born in Tulse Hill in 1946 and they are right. To this we can add that the work in question, here performed by the composer, appears on a disc from that fine firm of NMC. We expect the rest will not take too long. Perhaps we will see a correct solution over our breakfast coffee, muesli and orange juice? |
|
|
|
|
Logged
|
|
|
|
|
Il Grande Inquisitor
|
|
« Reply #1584 on: 23:59:10, 03-03-2008 » |
|
225 - Finnissy - Reels for piano ?
|
|
|
|
|
Logged
|
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
|
|
|
|
oliver sudden
|
|
« Reply #1585 on: 00:00:49, 04-03-2008 » |
|
A solution is clearly not far away although that was not yet it...
|
|
|
|
|
Logged
|
|
|
|
|
Il Grande Inquisitor
|
|
« Reply #1586 on: 00:03:07, 04-03-2008 » |
|
Short, But. . . . by Finnissy is my final offer for 225!
|
|
|
|
|
Logged
|
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
|
|
|
|
oliver sudden
|
|
« Reply #1587 on: 00:04:54, 04-03-2008 » |
|
We are most sorry to hear that Mr Inquisitor for that is not it either!
|
|
|
|
|
Logged
|
|
|
|
|
Il Grande Inquisitor
|
|
« Reply #1588 on: 00:05:12, 04-03-2008 » |
|
Members have shown not the slightest interest in Puzzle 243, although it is quite the wrong time of day to do so now, I suppose.  (That counts as a clue, btw) |
|
|
|
|
Logged
|
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
|
|
|
|
Ian Pace
|
|
« Reply #1589 on: 00:09:45, 04-03-2008 » |
|
Even without hearing it, it would seem that those who believe 225 to be Finnissy, played by Finnissy, are seeking exclusively in amongst the NMC disc of his playing. We would endeavour to remind them that another disc exists of Part 2 of Folklore and other hay-and-cowdung pieces, on Metier, all played by the composer.
|
|
|
|
|
Logged
|
'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
|
|
|
|
