Don Basilio
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« Reply #330 on: 15:25:06, 13-07-2008 » |
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In all my visits to St Albans I have never noticed the 1970s nave choir stalls. Good on Jeffrey John (my very favourite Anglican dean) for getting rid of them. There is nothing wrong in theatrical spectacle - as long as it is remembered that the congregation are participants, and not spectators.
Llandaff - the Epstein has to have something to hold it - anything chunkier would be worse, anything less obvious might be effete. Not my problem.
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Antheil
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« Reply #331 on: 15:44:10, 13-07-2008 » |
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The Epstein could be suspended, which I think would work, as Christ in His Majestry in Heaven and would make it more ethereal, such as a normal rood is suspended. However, as the electrics problem has messed the organ up and the pipes are in the arch I don't know what they might do. I have to disagree that a more slender structure would look effete, wouldn't a delicate arch be more in keeping and not detract from the Epstein?
I had a look at some of George Pace's other Churches on the Net and "chunky" is the word. There's one in Wythenshawe, Manchester and as I am off to Manchester I might try and visit.
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Reality, sa molesworth 2, is so sordid it makes me shudder
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Don Basilio
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« Reply #332 on: 15:51:28, 13-07-2008 » |
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Manchester Cathedral is odd - it has a wonderful set of medieval choir stalls, which are not much used now. It looks more like a parish church than a cathedral, with its tower at the West End. Due to the large number of side aisles, the nave seems wider than it is broad, and I understand its complete width is used for services (the choir being behind a screen and out of sight.)
Ian Pace went to school nearby.
And Mother Ann Lee, founder of the Shakers, was born in a demolished street (Toad Lane, or Todd Lane?) also nearby.
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Antheil
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« Reply #333 on: 16:30:34, 13-07-2008 » |
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Ian Pace went to school nearby.
Don Basilio. Is there a Blue Plaque?
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Reality, sa molesworth 2, is so sordid it makes me shudder
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BobbyZ
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« Reply #334 on: 18:13:52, 13-07-2008 » |
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Ian Pace went to school nearby.
Then Tony Watson must have taught there !
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Dreams, schemes and themes
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Ian Pace
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« Reply #335 on: 19:45:46, 13-07-2008 » |
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Ian Pace went to school nearby.
Then Tony Watson must have taught there ! He certainly did.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Don Basilio
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« Reply #336 on: 19:12:21, 17-07-2008 » |
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And here's somthing in a church of which I disapprove It is a stained glass window of Sir Winston Churchill put up while he was still alive and a Conservative MP, in the church of Holy Trinity, Exmouth. I have considerable admiration for Churchill. If it was not for his bloody mindedness and rhetoric we would probably be overrun by genocidal fascists. However I am very uncomfortable with the sort of people (Margaret Thatcher, George W Bush and others) who use his name to support their own right wing positions (which I fear Churchill may well have supported himself.) He was not a faithful, or even occasional, churchgoer, except for public occasions, and he expressed no Christian faith. He was a MP of a particular party at the time of the windows creation. The window represents everything I reject about my home town and establishment Anglicanism.
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Antheil
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« Reply #337 on: 19:29:16, 17-07-2008 » |
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Strange that W. Churchill is opposite Walter Raleigh. Is it that they both enjoyed a smoke of a good cigar?
The question is, what makes someone a suitable candidate for a stained glass window? Perhaps, although his lack of Anglican faith, the County just felt grateful to him for his doggedness in the War? You don't say in which year it was installed
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Reality, sa molesworth 2, is so sordid it makes me shudder
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Don Basilio
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« Reply #338 on: 19:40:36, 17-07-2008 » |
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Raleigh is there because it is in Devon (Francis Drake is in another window.) One of the villages taken over by Greater Exmouth is called Withycombe Raleigh. The windows were certainly there when I was going in the early 60s, and probably date from early 50s.
I accept it may well be OK to memorialize people who are not noted for their faith (although at the risk of being a bigot, I don't really care for that) but the point is the characters chosen - not Emmeline Pankhurst or the Tolpuddle Martyrs or Keir Hardy was it?
There's a complacent conservative agenda at work there, I'm afraid.
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Ian Pace
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« Reply #339 on: 23:21:04, 17-07-2008 » |
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I have considerable admiration for Churchill. If it was not for his bloody mindedness and rhetoric we would probably be overrun by genocidal fascists. Churchill in 1919, with respect to Kurds and Arabs: 'I do not understand this squeamishness about the use of gas. I am strongly in favour of using poisoned gas against uncivilized tribes.'
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Don Basilio
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« Reply #340 on: 08:15:03, 18-07-2008 » |
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Another reason not to put him in a window in a church.
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Antheil
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« Reply #341 on: 15:00:01, 19-07-2008 » |
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Emmeline Pankhurst was commemorated in The Fabian Stained Glass Window commissioned by Bernard Shaw I think, where it is now I do not know. I am pretty certain somewhere in Australia there is a window for The Tolpuddle Martyrs. Sylvia Pankhurst, Emmeline's daughter, is extremely interesting. She is buried in Holy Trinity Cathedral, Addis Ababa. I have been investigating the Church in Ethiopia which is why I stumbled across this fact (don't ask why) Here is a pic of Holy Trinity
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Reality, sa molesworth 2, is so sordid it makes me shudder
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Don Basilio
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« Reply #342 on: 17:30:11, 19-07-2008 » |
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When you say the Church in Ethiopia, due you mean the Ethiopian Orthodox Church? http://www.eotc.faithweb.com/orth.htmlAn indigenous Christian Church pre-dating many European peoples becoming Christian, yet alone any missionary activity. Here is my photo of a service by the Ethiopian Orthodox in the church of St Mary Abchurch in the City of London, which I posted earlier on the Church experience thread: Note the lion and unicorn at the ends of the front pews. A very fine Wren reredos (altar piece) rears up above the screen of the Ethiopian liturgy, with a pelican and her young at the top. A pelican was supposed to feed her young with blood drawn from her breast, a symbol of Christ. She does not look a bit like the pelicans in St James Park.
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« Last Edit: 18:01:56, 19-07-2008 by Don Basilio »
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Antheil
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« Reply #343 on: 17:41:04, 19-07-2008 » |
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Yes Don B, apart from the Sylvia Pankhurst I am finding the history of the Orthodox Church in Ethiopia totally gripping
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Reality, sa molesworth 2, is so sordid it makes me shudder
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Don Basilio
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« Reply #344 on: 18:03:57, 19-07-2008 » |
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I have a comprehensive, but unexciting, account in a book by Christine Chaillot, The Ethiopian Orthodox Tewahedo Church Tradition published by Inter-Orthodox Dialogue, Paris 2002.
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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