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Author Topic: Re: six_events (Matthew Lee Knowles)  (Read 2917 times)
C Dish
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« Reply #180 on: 12:36:36, 27-11-2007 »


And by the way, anyone got a dunce's hat? I can hardly begin to imagine what the following text is supposed to mean!  Huh

That identity not be first, that it exist as a principle but as a second principle, as a principle become; that it revolve around the Different: such would be the nature of a Copernican revolution which opens up the possibility of difference having its own concept, rather than being maintained under the domination of a concept in general already understood as identical.
I think it might be very very badly translated. You didn't do that yourself, did you, Richard?
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inert fig here
A
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« Reply #181 on: 12:36:42, 27-11-2007 »

I was going to post some thoughts on here about this project in particular and my experiences of similar projects and non-projects (ie life experiences) in general. Also about my sympathies with SOME of the view points of ALL posters here. But... since I am neither going to 'rah, 'rah, 'rah nor grump, grump, grump I'll keep them to myself.

 Sad

eh, ros?  Huh I'd be very interested to hear your thoughts.

Don't do it Ros, you will be hounded off if your comments don't agree with all these others... trust me, I tried.

A
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Well, there you are.
A
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« Reply #182 on: 12:40:00, 27-11-2007 »

And just because I support A wholeheartedly doesn't mean I'm no longer left wanting a better explanation of what she finds so incredibly offensive about MLK and his ILK. This is something I need to find out more about myself.

Quote
I can't see how any of this is music. When I did some support teaching in primary schools I did exactly this sort of exercise with infants. We sat in silence for a minute and jotted down (in picture form if they couldn't write) anything they heard during that time... with gaps as the time moved across the page - eg a chair scraping, a cough, a bird, people talking outside... then we made SOUNDS ( not really music) to make a sort of picture of the time passed.

I can't see how you can say that YOU are composing something here Matthew, you are just sort of sitting somewhere and saying ... go and do things ... music??

John Paynter comes to mind in ' Sound and Silence' too, a very 'fashionable'  book in education in the '60s.
Sorry Matthew, welcome , but you have lost me here, I can't see any relevance whatsoever to your music degree or our musicianship... 'Emperor's New Clothes' also comes to mind.

Come on chaps this can't be real??

 
 
 
This is what I said... I meant it.
I don't consider this exercise music... a party game maybe, but not music.

A
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Well, there you are.
Bryn
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« Reply #183 on: 12:46:27, 27-11-2007 »

Jilly Cooper
Jenny Eclair
Kathryn Flett
Bonnie Greer
Germaine Greer
Sheila Hancock
Dillie Keane
India Knight
Helen Lederer
Jane Moore
Nina Myskow
Linda Robson
Janet Street-Porter
Jenni Trent Hughes
Arabella Weir
Ann Widdecombe
Stephanie Beacham
Margaret Fitzgerald
Muriel Gray
Indira Joshi
Aggie MacKenzie
Esther Rantzen
Pam St Clement
Kim Woodburn
Lyn Barber
Sheila Ferguson
Lynne Franks
Fiona Phillips
Eve Pollard
Charlie Hardwick
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martle
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« Reply #184 on: 12:49:30, 27-11-2007 »

We have looked at the first message of this thread and if for a moment we may be permitted to descend to the vernacular we would like simply to say that it is total bollocks.


Absolutely Sydney !!!

A

Ah, the cut and thrust of civilised, courteous debate!
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Green. Always green.
John W
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« Reply #185 on: 12:49:55, 27-11-2007 »

I see 'A' is not on your list Bryn  Cheesy
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Bryn
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« Reply #186 on: 13:03:51, 27-11-2007 »

Quote
I can't see how any of this is music.
 
 
An incapacity, or a refusal? I suspect the latter.


"Happy New Ears".

---

John, they are celebrity GOW.
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increpatio
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‫‬‭‮‪‫‬‭‮


« Reply #187 on: 13:08:40, 27-11-2007 »

I don't consider this exercise music... a party game maybe, but not music.

So, even without terming it 'music', you don't think that people might take part in this in a spirit of absolute seriousness and get something from it?
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‫‬‭‮‪‫‬‭‮
richard barrett
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« Reply #188 on: 13:12:44, 27-11-2007 »

I think it might be very very badly translated. You didn't do that yourself, did you, Richard?

No, I think if I had the original I could imagine something considerably better than that, but I'm no fan of Deleuze so I probably couldn't be asked anyway. I just thought it might amuse. Sorry Stuart, you can give me the cap.
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John W
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« Reply #189 on: 13:14:21, 27-11-2007 »

Mathew,

I think a print-out of this thread will be a valuable addition to your project, don't you think?

 Smiley


John W
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Baz
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« Reply #190 on: 13:21:53, 27-11-2007 »

Jilly Cooper
Jenny Eclair
Kathryn Flett
Bonnie Greer
Germaine Greer
Sheila Hancock
Dillie Keane
India Knight
Helen Lederer
Jane Moore
Nina Myskow
Linda Robson
Janet Street-Porter
Jenni Trent Hughes
Arabella Weir
Ann Widdecombe
Stephanie Beacham
Margaret Fitzgerald
Muriel Gray
Indira Joshi
Aggie MacKenzie
Esther Rantzen
Pam St Clement
Kim Woodburn
Lyn Barber
Sheila Ferguson
Lynne Franks
Fiona Phillips
Eve Pollard
Charlie Hardwick

Words fail me - and even those I am able to remember I've forgotten how to say, such is my senility. I used to love bus journeys.....



and this one especially - though I seem to have lost the ticket (for everything - stick included). How sad I am!

Baz

P.S. Bryn - why was your list of favourite ladies so short?
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A
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« Reply #191 on: 13:22:42, 27-11-2007 »

Ah, the cut and thrust of civilised, courteous debate!

I would be only too happy to debate if someone would reply to my comments instead of just calling me names.

Quote
I can't see how any of this is music.
  
 
An incapacity, or a refusal? I suspect the latter.


"Happy New Ears".

I am perfectly capable of telling what is music and what is not, I have no evidence whatsoever that this project is music. NO-ONE will tell me why it is. It just seems to be 'an idea' like pass the parcel.

Explain where the music comes in and why it is a composition not just GCSE Geography... go into town and note down all the  butchers' shops sort of exercise.....and I just MAY listen.

I have listened to plenty of modern music in my life as a secondary school teacher.... I still don't like it. THAT is MY opinion and I am allowed to have it.

A

 
 
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perfect wagnerite
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« Reply #192 on: 13:33:46, 27-11-2007 »


I am perfectly capable of telling what is music and what is not
 


So what are the objective criteria?
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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
roslynmuse
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« Reply #193 on: 13:38:31, 27-11-2007 »

I was going to post some thoughts on here about this project in particular and my experiences of similar projects and non-projects (ie life experiences) in general. Also about my sympathies with SOME of the view points of ALL posters here. But... since I am neither going to 'rah, 'rah, 'rah nor grump, grump, grump I'll keep them to myself.

 Sad

eh, ros?  Huh I'd be very interested to hear your thoughts.

Don't do it Ros, you will be hounded off if your comments don't agree with all these others... trust me, I tried.

A

No, I AM going to have a go, partly because I have some respect for both you and Mart, and also because I would like to share my own feelings after thinking hard (and I mean that) about this over the last couple of days.

First of all, a little anecdote. About ten years ago, I accidentally locked myself out of my house. My wife wasn't due back home for about three hours, I had a loan dog with me (ie one we were looking after), it was about 11pm at night, and I didn't fancy wandering the backstreets of Greater Manchester even with a pooch at my heels. It was a warm evening (May, I think), so I sat on the doorstep. I live on a fairly quiet road and the wiring of my brain looked to create some sort of structure out of the three hours I knew I had at my disposal. I counted cars. I think there were about 140 of them passed the house in those three hours. I found it a deeply therapeutic experience, and, in its way, quite profound, to find a space of time being carved up by the chance event of a car passing by. In a way, a car emphasised the silence on either side of it, it made me look deeper into what was going on in that silence (and time) and in a mysterious way the "vertical" silence and the "horizontal" passage of time became one and the same, the passing cars acts of violent proportions. That experience has stayed with me. It is unique to me. I found depth in the mundane, the quotidian. What I cannot do is to share that depth with anyone else. (Even though I am describing it to you now.) Therefore, what I did was not art. Therefore? I hear some of you ask... That 'therefore' is my own particular 'line in the sand'. What I experienced may or may not have approached the profundity I sometimes (rarely) experience listening to music; I saw it then and see it now as a clarification of some perceptions about art and music rather than either art or music itself.

I would like to offer a thought to MLK - that what he is doing, and some of the techniques he is using, is more akin to psychotherapy than artistic endeavour. (Provocation without explanation is a common therapeutic tool.) Encouraging one to think more deeply about the everyday - a hugely valuable exercise. But the state reached by the participants (if I understand correctly and my little anecdote has any resonance) is surely only of the sort of PERSONAL value I have described above. (And CD's water drinking comes into that category too, IMO). If, later, a composition (with sounds) results from the collected data, then of course that needs to be judged on its own merits.

I read through the whole of this thread last night and have to say I was as bemused by the cheers as the less positive comments. Even on M&S there were those who were outraged by the idea until they realised that MLK was for real - context is all, it seems. (Which reminds me of a line or three that came unbidden to my mind when I started reading this thread - "Hey diddle diddle will rank as an idyll if I pronounce it chaste"...)

'A', I think stands for the views of many, many music lovers everywhere, and I don't think one can ignore that fact - or if one does one is guilty of the worst sort of artistic arrogance. Baz has been asking some probing questions and as far as I can see not really getting anything other than obfuscation in return. Ron's point about MLK coming from a different age is extremely pertinent - and, for me, at less than twice his (MLK's) age, it is deeply depressing. Am I so far removed from artistic reality in 2007 that MY reality is no longer relevant?

I haven't time to continue this now. It is I hope clear that I am being genuinely questioning and not dismissive - as I said, I have been thinking hard about this - but I would also caution that those who are dismissing A and Baz are giving MLK's idea the status (dare I say it) of a cult... ie being exclusive rather than inclusive, of implying that initiation is necessary before being welcome... you see where I'm going. Please don't let that happen.
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martle
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« Reply #194 on: 13:49:36, 27-11-2007 »

POUNCE, RIP, BITE!!!

No, thankyou ros. Very pertinent thoughts, very well-articulated. Will try to get back to this (after teaching  Sad)
« Last Edit: 13:51:52, 27-11-2007 by martle » Logged

Green. Always green.
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