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Author Topic: Music in Higher Education  (Read 1418 times)
Ian Pace
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« Reply #45 on: 22:30:15, 09-09-2008 »

There are obviously varying degrees of application but, for example, it shouldn't be too unclear how how a piece of micro-research into a part of Bach's life, or certain issues of detailed musical cognition, or the relationship between a composer't work and other cultural and political aspects of their time, or into constructions of gender in instrumental music, are not primarily motivated by .immediate practical applications in the same way as compositional-technical research leading to a new piece, or into new electronic techniques, or into performance practice, are.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
martle
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« Reply #46 on: 22:32:47, 09-09-2008 »

What Richard was 'grumping' about on the other thread was his increased workload. Well, amongst other things. And why should he have been given one? Because the economics of his department dictates that it can't afford to have others (PG students, let's say) doing the teaching instead - teaching that they desperately need to do if they want the relevant lines on their CV for a teaching job themselves. It's the same everywhere. Universities that can't demonstrate a high level of research income (which is most of them) will have to teach more to pay their way, which means that those they employ will have to do so individually too. Two-tierism is round the corner (if it hasn't de facto already arrived).
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oliver sudden
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« Reply #47 on: 22:37:31, 09-09-2008 »

There are obviously varying degrees of application but, for example, it shouldn't be too unclear how how a piece of micro-research into a part of Bach's life, or certain issues of detailed musical cognition, or the relationship between a composer't work and other cultural and political aspects of their time, or into constructions of gender in instrumental music, are not primarily motivated by .immediate practical applications in the same way as compositional-technical research leading to a new piece, or into new electronic techniques, or into performance practice, are.
It's not that. Your current attitude to virtually every aspect of classical music is so unremittingly critical that I'm genuinely surprised to find you using so freely the terms you did to describe its scholarship.
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Ian Pace
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« Reply #48 on: 22:39:50, 09-09-2008 »

Academics moan endlessly about their teaching committments - but that is on the whole at least part of why they are employed. And the workload and hours required in lots of non-academic private sector jobs are much worse (I know no academic who's had to keep the insane hours as did my fiancee when she was working as a lawyer on call - one reason she moved to a different type of legal job).

O-s, you should see from the posts, if you do other than cherry-picking bits out of context, that the view of certain institutionalised modes of scholarship are far from uncritical. But if you're just spoiling for a fight, I'm not prepared to debate further - do you have any actual thoughts on how else things might be done that would be better?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Ian Pace
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« Reply #49 on: 23:01:09, 09-09-2008 »

Discourse around classical music is on the whole deeply 'uncritical' in many quarters (much more so than in a wider community) compared to that surrounding other disciplines. I usually put this down to the particularly precious petty-bourgeois nature of the social milieu it generally inhabits. Certainly an antipathy towards classical music bother me less than the all-purpose angry disdain for vast sub-sectors of society that often accompanies the expression of such views, even in a mild form. If that is anathema to some involved with classical music, then so be it. But as far as 'pure' (the scare-quotes around which seem not to have been registered) and 'applied' research are concerned - what would you offer as better categories? And, indeed, how do you think the integration of composition and performance into higher education might be better managed (if you think they have any value at all)?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
time_is_now
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« Reply #50 on: 23:13:20, 09-09-2008 »

T-i-n, from the original post, you'll see that this is one thought on the matter to be balanced against other considerations, not an unqualified piece of dogma (though the latter category generally seems favoured on internet forums). The issue I'm alluding to is of whether that sort of research can continue to flourish in a climate which may privilege work more obviously connected to direct practical applications.
I do see that. But I suspected that the types of 'theory' Ollie was objecting to might have been other than the musicological type you gave as examples, and I was trying to draw him out on that a bit because it's interesting to me. (I suspect I do have a genuinely different perspective from Ollie on this issue and I'd be interested in discussing it, rather than just sitting back and watching old arguments get re-rehearsed ...)
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
oliver sudden
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« Reply #51 on: 23:22:46, 09-09-2008 »

(I suspect I do have a genuinely different perspective from Ollie on this issue and I'd be interested in discussing it, rather than just sitting back and watching old arguments get re-rehearsed ...)
So would I but as you doubtless know by now there's no way that's going to happen in present company. Happy to discuss it by email or PM though.
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Ian Pace
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« Reply #52 on: 23:24:09, 09-09-2008 »

That would indeed be interesting. Whilst somewhat instinctively at odds with those points of view which dismiss anything that might be termed 'theory' out of hand, the concept and its own enactments certainly have their own limitations. 'Pure' and 'Applied' maths are not absolutist terms, but their use to delineate broad subsections of the discipline are not merely arbitrary. Same with history and historiography. Some methodological self-reflexivity is healthy for any discipline.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
richard barrett
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« Reply #53 on: 23:31:28, 09-09-2008 »

What Richard was 'grumping' about on the other thread was his increased workload.

Indeed I was, and, while I agree with the rest of your post entirely, let nobody be under the misapprehension that I was grumping about an increased teaching workload, for I was not. As I've said a number of times, my problem is not being able to do things the way I think they should (or at least could) be done. The reason is the massive weight of bureaucracy that surrounds the teaching, all the checks and balances that go with making sure nobody can complain that the service they paid for wasn't provided in every detail, making all marking criteria so grotesquely explicit that one wonders why composition courses aren't assessed on multiple-choice questions already. That has nothing to do with the amount of teaching commitments, nothing to do with whether one kind of music is privileged over another, everything to do with the fact that the commercialisation of universities (like the privatisation of public services) is attended by inflated bureaucracy much of which falls to academic staff (most of whom disapprove of this as much as me) to put into action. I hope that's clear now even to the most obtuse of contributors here.
« Last Edit: 23:35:17, 09-09-2008 by richard barrett » Logged
Baz
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« Reply #54 on: 23:51:38, 09-09-2008 »

...Universities that can't demonstrate a high level of research income (which is most of them) will have to teach more to pay their way, which means that those they employ will have to do so individually too. Two-tierism is round the corner (if it hasn't de facto already arrived).


It should be made clear that the fact that universities cannot "demonstrate a high level of research income" in no way means that they cannot demonstrate a high level of research productivity and output. For those of us now (thankfully) retired from this "system" it is only possible to look back nostalgically to the late-70s and early-80s. The irony is, of course, that these were the good old days when research and research funding were healthy, but also the very time when (thanks to Thatcherism) the "wheels of doom" were carefully set in motion. Ever since then successive governments have actively and enthusiastically wasted public money to the tune of very many millions of pounds each year merely inventing ever-new and more sophisticated methods of "measuring" educational activity in terms of "value for money".

The inevitable consequence is that we now have a Higher Education system totally bushwhacked by and riddled with the world of "business speak". We are no longer asked to describe the educational experiences of our students in terms of progress and refinement; this is because our paymasters, being interested only in the "value for money" syndrome, require us to explain the progress of "the system" rather than that of the students. Consequently we have to learn a peculiar jargon in which improvement is now to be described  as "added value". That which has been "added" is no longer merely a passive "better understanding" on the part of students and scholars, but rather a "systemic transmogrification" through which league tables can be used to demonstrate exactly HOW the spending of X million pounds on initiative Y has enhanced the "system". Where failure in this regard is "identified" within the system the financial penalties can be severe.

But the substantive point in this posting concerns university research and its pathetic public funding. Quite apart from the 5-yearly farce of the RAE - whereby seemingly endless time, energy and public money is simply wasted instead of being given directly to support research - the reality is that such funding will only ever decrease in any case! So unless an institution actually increases the quality and quantity of its research it will be unable even to maintain its current puny level of funding. The only way in which an institution can survive under these conditions is to optimise its only other source of funding: ever greater numbers of fee-paying students (especially those from overseas). Now it does not take a genius to realise that this means that full-time university academics will be increasingly required, year by year, to devote more and more of their time to the teaching of these increasing numbers of students. Furthermore, under the carrot of increasing numbers of overseas students (providing much higher fees), greater and greater amounts of teaching time will have to be devoted to basic language and other "remedial" teaching pursuits.

Now what effect one asks will this have upon research productivity? The whole thing is simply a con. As this systemic cancer spreads further throughout the system, we can see the same kind of paralysis that has befallen the NHS: greater funding for, and provision of ADMINISTRATION instead of qualified academic/medical practitioners. When I started my teaching career my institution had never heard of things like:

Director of Quality Affairs
Pro-Warden (Academic)
Pro-Warden (Research and Development)
Pro-Warden (Students)
Senior Pro-Warden
Deputy Director of Finance (Estates)
Deputy Director of Finance (Business Sponsorship)
Deputy Director of Finance (Research Funding)

Each of these runs an entire Office of administrators, turning out endless pages of documents all full of the now-familiar business speak, and holding interminable and boring "meetings" that occupy and waste academic time that not only confiscates the opportunity for research but also (ironically) teaching. Nobody can show any educational initiative without "permission" from endless committees and "officials" (often not even appointed as academics). It is all one continuous and horrific social experiment that gains its momentum only by slowing down and gradually strangling every last breath of freshness from what might otherwise have continued to be a vibrant educational environment.

Martle speaks of two-tierism, but I worry that this does not express the critical severity that is already present! Two-tierism implies (correctly) the impending arrival of universities that divide into "research" and "teaching" factions (with consequent implications for respective funding levels). BUT...it comes much closer to home (and is already here!): two-tierism also affects single institutions! Because of external funding and administrative pressures some staff are already finding themselves on "teaching only" contracts, while others who are asked to undertake far less teaching can continue to enjoy researching and publishing their papers and books. This utterly pernicious enforced two-tierism is surely the final nail in the coffin of self-esteem and morale as they impinge upon a collection of colleagues who would normally be expected to work together harmoniously.

Baz

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richard barrett
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« Reply #55 on: 23:58:40, 09-09-2008 »

Director of Quality Affairs
Pro-Warden (Academic)
Pro-Warden (Research and Development)
Pro-Warden (Students)
Senior Pro-Warden
Deputy Director of Finance (Estates)
Deputy Director of Finance (Business Sponsorship)
Deputy Director of Finance (Research Funding)

We have a Pro-Vice-Chancellor (Student Experience) in fact. (I've been to a presentation given by this person. Imagine what kind of a person he is!) Thank you for summing that up so comprehensively. The personal impact of what I was "grumping" about earlier comes precisely from the fact that I studied at university between 1977 and 1980 and then had very little to do with universities until 2006, and imagining that there would be at least some similarities between those two "experiences".
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Ian Pace
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« Reply #56 on: 00:36:17, 10-09-2008 »

So would I but as you doubtless know by now there's no way that's going to happen in present company. Happy to discuss it by email or PM though.
The kneejerk antipathy that I've encountered from you towards all sorts of potential issues - including the relativisation of 'classical' music in higher education, the idea that all sorts of political ideologies might somehow be sedimented within musical language, the idea that music may not be immune from the sort of ideologies that overtook it between 1933-1945 in Germany, and these ideologies might have both roots in earlier periods and their associated aesthetics, and also not have completely disappeared in 1945, the idea that composers' self-presentations in terms of their life, work, place in society, or whatever, might benefit from being taken at other than face value, the idea that the wishes of today's students in terms of higher education, however much they may be anathema to an earlier ethos, need at least to be considered, and much more, all things that have been extensively explored in various quarters - might itself be a major reason why a serious debate on these issues is unlikely here. I can think of another board where it could happen - one where there are a wide plurality of views, sometimes quite strongly opposed to one another, but where there have been no serious personalised flare-ups since one member left - and it may be better to take this debate over there. These debates do exist in academia much of the time, with much stronger opinions offered than seem to be permissible according to the boundaries I think you would like to impose.

University bureaucracy is certainly a major burden that affects most of those who work in academia. And I worry about the 'commercialisation of universities' as much as anyone else. But in the face of an expansion of higher education (which, all things told, I do see as a positive thing) and the concomitant entrance into higher education of many types of students quite different from those who had previously inhabited it, many of whom see the purpose of higher education much more in terms of their own future commercial prospects, as well as the near-impossibility of a larger amount of funding for higher education such as would require higher taxation (which no party would dare advocate because they know the electorate would instantly reject it), I'm a bit at a loss to know concrete alternatives, which is not of course to say that they don't exist. But I reckon it would be a more fruitful debate if some such things could at least be posited. 'Measuring' the achievements of higher education is hardly a very exalted business, but when there are limited funds to go around, and different institutions would all like to have a certain amount of these, can this process be avoided?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Ian Pace
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« Reply #57 on: 00:42:27, 10-09-2008 »

...Universities that can't demonstrate a high level of research income (which is most of them) will have to teach more to pay their way, which means that those they employ will have to do so individually too. Two-tierism is round the corner (if it hasn't de facto already arrived).


It should be made clear that the fact that universities cannot "demonstrate a high level of research income" in no way means that they cannot demonstrate a high level of research productivity and output. For those of us now (thankfully) retired from this "system" it is only possible to look back nostalgically to the late-70s and early-80s. The irony is, of course, that these were the good old days when research and research funding were healthy, but also the very time when (thanks to Thatcherism) the "wheels of doom" were carefully set in motion. Ever since then successive governments have actively and enthusiastically wasted public money to the tune of very many millions of pounds each year merely inventing ever-new and more sophisticated methods of "measuring" educational activity in terms of "value for money".
In those days education was very much more of a two-tier thing with a clear distinction between 'universities' and 'polytechnics' (and certain 'technical colleges' which were perceived as being at the bottom of the pile). And a lot less students were going into higher education (and overall from a narrower social basis, I believe); correspondingly there were less jobs in that field for lecturers. It's easy to be starry-eyed about the old system, if one personally benefited from it.

One university where a former poster from here now teaches would never have been perceived in the way it is now, when it was called a 'Polytechnic', despite the fact that it has had what in various ways has been a very forward-looking and individual music department, and produced some notable alumni.

Baz, I don't see anything in your post that filters into the equation what the students might want out of higher education.
« Last Edit: 00:48:02, 10-09-2008 by Ian Pace » Logged

'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Turfan Fragment
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« Reply #58 on: 04:56:38, 10-09-2008 »

Baz, I don't see anything in your post that filters into the equation what the students might want out of higher education.

Apropos of this question, if not directly answering it, I'd like to go back to the hypothetical raised on a different thread, to wit, why students should be taught about Monteverdi rather than Madonna.

Let's assume that the richness of Monteverdi's music and the paucity of Madonna's is not a sufficient argument. Perhaps what is rich about her music is not of interest to most academics because their biases are set up all wrong.

The human brain is an indispensable storage medium for knowledge. Not the most permanent one, like paper, but indispensable because it evaluates information and can transform know-what knowledge into know-why or postulate-why knowledge. Music history, like any history, is a know-what knowledge, the kind of knowledge that tends to decay, unlike know-how knowledge, which will not decay as long as it is relevant. Know-what knowledge also tends to calcify, if it is simply recorded on paper and set adrift in some data repository such as a book. The best way to apply brain power to the storage of know-what knowledge is to press the brains of students into the service of processing this knowledge. They must perform this duty in order to get their degrees. If they forget almost everything that their brain is exposed to, then that is a calculable loss, as someone else will remember the part that they forget. Of course, the most important or most notable or most memorable parts will be stored by the largest number of brains, and that is fine.

They do not learn history because it furthers their career. They learn it because it is their duty as an educated person in their field to take in that learning long enough to take their exams. If they forget it thereafter, then of course that is unfortunate, but the university as curator of this knowledge cannot do more than it is already doing, i.e., cannot follow those students home and continue to lecture to them. A university is not an education facility like a primary school. It is a knowledge curation facility that uses student brains for storage.

If students really ONLY want to learn what will further their careers directly, then they wouldn't have to go to university. The industry they are seeking to enter would privately finance vocational schools for them, and they'd go to those schools instead of universities. Let them do that if they want to. Their degree means more, though, if they go to university; and employers in most industries have sufficient foresight to hire university students instead of vocational-school students because they understand that students who have the foresight to study things they don't think they'll immediately need, and have the Sitzfleisch to study those things earnestly enough to get good marks, will be better (albeit more expensive) employees.

That's the theory anyway. The market will ultimately decide whether universities are a worthwhile 'business model,' and in my estimation universities should simply continue being curators of knowledge and be allowed to judge internally rather than democratically what knowledge is worth keeping and what is worth discarding. New generations of academics can argue for what they consider worthwhile, and the university needs to be structured in such a way that it is forced to listen to these young upstarts, even if they prefer Madonna to Monteverdi as teaching material. That of course is hard to implement, but that is indeed the problem that needs solving, not the purported market-unresponsiveness or elitism of the university itself.

I also think everyone on this thread might enjoy the remarks on the topic by the late Richard Rorty, to be found here. I'm not sure I agree with every ounce of what he says, nor do I wholeheartedly endorse him as a philosopher (far from it!!), but I do think it's an interesting contribution. Apologies if I've posted it before.
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Baz
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« Reply #59 on: 08:32:47, 10-09-2008 »


In those days education was very much more of a two-tier thing with a clear distinction between 'universities' and 'polytechnics' (and certain 'technical colleges' which were perceived as being at the bottom of the pile). And a lot less students were going into higher education (and overall from a narrower social basis, I believe); correspondingly there were less jobs in that field for lecturers. It's easy to be starry-eyed about the old system, if one personally benefited from it.

One university where a former poster from here now teaches would never have been perceived in the way it is now, when it was called a 'Polytechnic', despite the fact that it has had what in various ways has been a very forward-looking and individual music department, and produced some notable alumni.

Baz, I don't see anything in your post that filters into the equation what the students might want out of higher education.

You have merely confirmed here the blindingly obvious (as intimated in my last posting): the changes that have taken (and continue inexorably to take) place in HE are nothing more than a protracted social experiment that has nothing per se whatsoever to do with education. Some of your assumptions are factually incorrect too.

One incorrect assertion concerns your statement about job opportunities for aspiring lecturers (as they used to be, that is, compared with how they are now). When I took up my position in 1977 my department had an annual student undergraduate intake of 35, together with a very small postgraduate intake (mostly taking taught courses) of 12. These students were supported by a lecturing staff of no fewer than 18 full-time members (all pursuing research as well as teaching). When I left in 2005 the undergraduate intake requirement had climbed to 80, with the postgraduate target being around 50. BUT the staffing contingent had drastically declined, leaving on 11 full-time staff to service all these students.

Furthermore, at least two of these lecturers had by then decided to halve their pay by converting to 0.5 fte contracts - this being their only way of managing to find enough time for their research activities. Since I left at least one further member has followed suit and accordingly become 0.5 fte. So not only are these individuals now effectively financing entirely their own research (even though their institution still gets all the brownie points for RAE purposes) but the teaching expertise and quantity available to the students has been severely impoverished. They cannot easily be replaced either, since the administrative and "business" gurus have the final say looking - as they do - to "value for money".

But how is this "value" to be measured (i.e. in educational terms)? Well that is now made extremely easy administratively: reference simply has to be made to the government's carefully-orchestrated (at such great cost!) League Tables. These are based upon "research output" (RAE) and "Teaching Quality" (done by periodic and very expensive formal inspection, together with "Student destination" data that has - at great cost - to be collected by the institution and submitted to HEFCE, together with examination results data management [glory! Even I am now inadvertently using "business speak".]).

As far as student expectation is concerned, Ian, it is now only what this social experiment over the years has made it. Students now generally expect to be taught rather than to learn. ("This Beethoven symphony no. 5 is a really great work - what do you think of it?"..."I don't know, because we haven't been taught it yet".) Their instinct to view the whole process of education in such simplistic and cold-blooded terms is all the more emphasized now that they are having to fund their own experiences for themselves with mortgage-sized student loans, so they have been well-educated at least in the art of requiring "value for money", even though they have no option other than accepting somebody else's system of measurement.

Some of us still have the nerve to consider Education as being not a "system" but rather a process, and one in which the main player (whether undergraduate student or researcher) is the learner rather than the teacher. But we are now a declining rump.

Baz
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