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Author Topic: New Musical Connections  (Read 119925 times)
Ruth Elleson
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« Reply #4695 on: 10:59:14, 21-07-2008 »

I've heard mixed things about her Poppaea, but hope to have a chance to make up my own mind.  Any tips for how early I'll have to start camping out for that one?
Really not sure how the day queue will go... but let's just say I have taken the day off work to be in the season ticket queue.
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Oft hat ein Seufzer, deiner Harf' entflossen,
Ein süßer, heiliger Akkord von dir
Den Himmel beßrer Zeiten mir erschlossen,
Du holde Kunst, ich danke dir dafür!
George Garnett
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« Reply #4696 on: 10:59:41, 21-07-2008 »

I couldn't see anybody's shoes...
Roll Eyes  And after all that rudery about the male critical approach to certain opera singers  Cheesy 


Sibelius  - Belshazzar's Feast
Handel   -  Belshazzar
Walton -   Belshazzar's Feast
Johnny Cash - Belshazzar

Please?  
« Last Edit: 11:09:47, 21-07-2008 by George Garnett » Logged
Il Grande Inquisitor
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« Reply #4697 on: 11:43:31, 21-07-2008 »

Bravo, George!!! (I said you'd get the next one!) A quartet of Belshazzars!  Cheesy
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Antheil
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« Reply #4698 on: 11:45:03, 21-07-2008 »

Well done George!  I was just about to post:

Sibelius - Origin of fire
Handel - Music for Royal fireworks
Walton - Muse of fire
Johnny Cash - Ring of Fire  
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Reality, sa molesworth 2, is so sordid it makes me shudder
Il Grande Inquisitor
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« Reply #4699 on: 18:38:14, 21-07-2008 »

Well done George!  I was just about to post:

Sibelius - Origin of fire
Handel - Music for Royal fireworks
Walton - Muse of fire
Johnny Cash - Ring of Fire  

Just seen this suggestion, Anty - worthy of a consolation prize, at least!

Re DdN, Hilary Finch in The Times:
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article4368015.ece
« Last Edit: 18:54:37, 21-07-2008 by Il Grande Inquisitor » Logged

Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Il Grande Inquisitor
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« Reply #4700 on: 21:05:11, 21-07-2008 »

A new quartet to solve:

Prokofiev
Berlioz
Ligeti
Grieg
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Il Grande Inquisitor
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« Reply #4701 on: 21:15:29, 22-07-2008 »

Let's add another composer to the list...

Prokofiev
Berlioz
Ligeti
Grieg
Dvorak
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thompson1780
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« Reply #4702 on: 22:25:07, 22-07-2008 »

Prokofiev  Bagatelle - 4 hands in C minor of 2 Hands in A Minor
Berlioz
Ligeti - 6 Bagatelles for Wind Quintet
Grieg -
Dvorak - Bagatelle for 2vln, vla and harmonium


Erm, that's not it, is it.

Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
Il Grande Inquisitor
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« Reply #4703 on: 22:57:51, 22-07-2008 »

Erm, that's not it, is it.

No, nothing numerical going on here.

Prokofiev
Berlioz
Ligeti
Grieg
Dvorak
Maw
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thompson1780
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« Reply #4704 on: 23:53:53, 22-07-2008 »

I'm guessing this is not a single word link.  I wondered about clocks / clocktowers / bells, but didn't get anywhere further than Ligeti and Dvorak.

Maw really doesn't help!

Tommo

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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
Il Grande Inquisitor
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« Reply #4705 on: 00:03:38, 23-07-2008 »

So Maw is less, so to speak?!

You're right in that it's not a single word connection, but is thematic.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Il Grande Inquisitor
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« Reply #4706 on: 19:53:06, 23-07-2008 »

I'm in a benevolent mood, so here's a seventh composer!

Prokofiev
Berlioz
Ligeti
Grieg
Dvorak
Maw
Beethoven
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George Garnett
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« Reply #4707 on: 20:33:57, 23-07-2008 »

Are we in lunar territory? Not there yet but I'll give it a stab before pursuing further moonshine.

Prokofiev  -  The Moon Strolls in the Meadow
Berlioz   -
Ligeti  - 
Greig   -
Dvorak  -  Song to the Moon from Rusalka
Maw   -  Rising of the Moon
Beethoven  -  Moonlight Sonata
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Il Grande Inquisitor
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« Reply #4708 on: 20:41:40, 23-07-2008 »

Are we in lunar territory?

No, nothing lunar, but keep the nocturnal idea running...

Prokofiev
Berlioz
Ligeti
Grieg
Dvorak
Maw
Beethoven
Ketèlbey
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harmonyharmony
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WWW
« Reply #4709 on: 23:35:19, 23-07-2008 »

So the Sequence is....?  And what works demonstrate that sequence?

So, it is the Fibonacci Sequence?

By 'works that demonstrate that sequence' do you mean works which could continue it, as in Thomas Albert's Thirteen Ways and Butterworth's song 'When I was one and twenty'?

The Holst song is My Soul Has Nought but Fire and Ice.

Yep - marks all round.  By 'demonstrate' I was not at all clear and I actually meant works that were based upon the Fibonacci sequence.  But you've got all that matters and this puzzle is dead.  It is a deceased puzzle.  It has shuffled....

Tommo

Rather missed the boat here, but I do know that Ferneyhough used the Fibonacci sequence to derive the sequence of time signatures at the opening of the Second String Quartet, albeit in a peculiarly idiosyncratic fashion. I believe a few other contemporary composers have used it, including my teacher.
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