Il Grande Inquisitor
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« Reply #4890 on: 09:26:35, 10-08-2008 » |
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JS Bach Tippett Carter Dowland
Anything to do with fantasies/ fantasias?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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George Garnett
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« Reply #4891 on: 09:28:06, 10-08-2008 » |
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... or expertise in polyrhythms?
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richard barrett
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« Reply #4892 on: 09:42:47, 10-08-2008 » |
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NIET to both of you.
There's something we're looking for which appears in a different form in the music of each of these composers, maybe in a title, maybe not, maybe more tenuously. The team might need to be augmented at some point.
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Antheil
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« Reply #4893 on: 10:38:49, 10-08-2008 » |
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IGI, would it be:
Tchaikovsky - Reverie du Soir Howells - My Lord Sandwich's Dream Scriabin - Reverie Hillborg - Dreaming River
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Reality, sa molesworth 2, is so sordid it makes me shudder
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Il Grande Inquisitor
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« Reply #4894 on: 11:00:39, 10-08-2008 » |
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Not dreams, Anty. A hint - it's not a common word connection.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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brassbandmaestro
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« Reply #4895 on: 11:55:19, 10-08-2008 » |
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NIET to both of you.
There's something we're looking for which appears in a different form in the music of each of these composers, maybe in a title, maybe not, maybe more tenuously. The team might need to be augmented at some point.
Not what I call Mirror Music RB?
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richard barrett
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« Reply #4896 on: 12:07:07, 10-08-2008 » |
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NIET to both of you.
There's something we're looking for which appears in a different form in the music of each of these composers, maybe in a title, maybe not, maybe more tenuously. The team might need to be augmented at some point.
Not what I call Mirror Music RB? I'm sure I wouldn't know. What does that mean?
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brassbandmaestro
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« Reply #4897 on: 12:09:43, 10-08-2008 » |
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You kn ow how something written mirror fashion and sounds compeletly different backwards. JSB was well known for this, especiaqlly in his Art of Fugue.
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richard barrett
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« Reply #4898 on: 12:13:11, 10-08-2008 » |
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Most music sounds pretty different backwards doesn't it?
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brassbandmaestro
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« Reply #4899 on: 12:14:19, 10-08-2008 » |
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Yes, RB, the same notes forwards but played in reverse, my attempt at defining a 'mirror fugue'!!!
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harmonyharmony
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« Reply #4900 on: 13:40:46, 10-08-2008 » |
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JS Bach Tippett Carter Dowland
I was going to say something about guitars ( Syringa by Carter, and the songs for Achilles by Tippett) but I'm wondering whether 'tears' have anything to do with it or Orpheus.
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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Il Grande Inquisitor
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« Reply #4901 on: 13:44:47, 10-08-2008 » |
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I wondered if there was double trouble afoot....Bach Double Violin concerto, Tippett's Concerto for Double String Orchestra, Carter's Double Concerto...
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« Last Edit: 13:52:21, 10-08-2008 by Il Grande Inquisitor »
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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harmonyharmony
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« Reply #4902 on: 13:50:26, 10-08-2008 » |
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Tchaikovsky Howells Scriabin Hillborg
Scriabin: The Divine PoemHillborg: Celestial MechanicsHowells: Hymnus ParadisiTchaikovsy... um. Oh dear.
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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Ron Dough
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« Reply #4903 on: 13:53:24, 10-08-2008 » |
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There's a Carter Double Concerto (Piano/Harpsichord) too, though the only double I can find for Dowland yet is the use of a double top string on his lute.....
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Il Grande Inquisitor
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« Reply #4904 on: 13:56:12, 10-08-2008 » |
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Scriabin: The Divine Poem Hillborg: Celestial Mechanics Howells: Hymnus Paradisi Tchaikovsy... um. Oh dear.
Sorry, nothing celestial about this one, hh. Time to bring another player into the game... Tchaikovsky Howells Scriabin Hillborg Liza Lehmann
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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