harmonyharmony
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« Reply #5250 on: 21:21:12, 23-09-2008 » |
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However, a bit of detective work reveals that the 1770 one is subtitled Forward Janus! Any luck with Zelinka (and no, that's not a typo)? http://www.myspace.com/janzelinka Jan Evangelista Zelinka
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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Turfan Fragment
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« Reply #5251 on: 05:55:52, 24-09-2008 » |
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I think what you had in mind was Jan Zelinka: Devátá louka (The Ninth Meadow) Zelinka, Jan Evangelista
(b Prague, 13 Feb 1893; d Prague, 30 June 1969). Czech composer. He studied music with his father, a composer, and also took advice from Ostrčil. While working as a clerk he was active as a pianist and writer. He was a prolific composer in all genres: besides 14 operas he wrote melodramas and music for pantomimes, plays, films and radio programmes. An eclectic late Romantic with inclinations to sentimentality, he made use of traditional folk elements in the 1950s. Dceruška hostinského (‘The Innkeeper’s Daughter’), based on an old Prague legend in a Romantic occult setting, uses vocal recitation and unvarying, heavy instrumentation. The lyrical musical comedy Devátá louka (‘The Ninth Meadow’) is about the first erotic experience of a naive girl; the folk opera Paličatý švec (‘The Pigheaded Shoemaker’) concerns a good-humoured craftsman who prefers his handicraft to the machine production of shoes. Meluzína (‘The Wailing Wind’) is based on a fairy-tale drawn from folk tradition. Well, you can see how I figured it out. How did you come up with it??
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George Garnett
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« Reply #5252 on: 08:34:16, 24-09-2008 » |
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Zelinka, Jan Evangelista
While working as a clerk he was active as a pianist ... Ah, happy days, when they employed live musicians to play the "You are currently being held in a queue" music: http://www.youtube.com/watch?v=zV4ISDTnRLM
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« Last Edit: 08:36:38, 24-09-2008 by George Garnett »
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Il Grande Inquisitor
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« Reply #5253 on: 16:04:01, 27-09-2008 » |
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Afternoon all,
Try linking this quartet, subs at the ready:
Britten Nyman Messiaen Barber
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« Last Edit: 16:17:46, 27-09-2008 by Il Grande Inquisitor »
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Il Grande Inquisitor
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« Reply #5254 on: 09:08:46, 28-09-2008 » |
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No takers, eh? Well here's an extra composer to help or hinder...
Britten Nyman Messiaen Barber Grétry
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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harmonyharmony
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« Reply #5255 on: 17:00:19, 29-09-2008 » |
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Is it a word or a thematic link IGI? I'm thinking but no pennies appear to be dropping.
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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Il Grande Inquisitor
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« Reply #5256 on: 17:01:27, 29-09-2008 » |
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It's a thematic one, hh, with a limited number of subs. Would you like one now? Go on, then...
Britten Nyman Messiaen Barber Grétry Alan Ridout
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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harmonyharmony
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« Reply #5257 on: 17:15:22, 29-09-2008 » |
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Roses? Just off the top of my head:
'The Sick Rose' from Britten's Serenade Grétry's La rosière républicaine Ridout's Canticle of the Rose Is there something in Messiaen's Couleurs de la cité céleste to do with the colour rose?
I fear that this is a cul de sac.
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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Il Grande Inquisitor
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« Reply #5258 on: 17:40:43, 29-09-2008 » |
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I fear that this is a cul de sac.
Afraid so. Remember, it's thematic rather than a common word you seek.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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harmonyharmony
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« Reply #5259 on: 17:48:23, 29-09-2008 » |
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Does Ridout's Music through the Ages figure in this puzzle?
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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Il Grande Inquisitor
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« Reply #5260 on: 18:19:03, 29-09-2008 » |
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Does Ridout's Music through the Ages figure in this puzzle?
Nope.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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thompson1780
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« Reply #5261 on: 22:24:38, 29-09-2008 » |
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I was going to suggest Schools, because of Britten and Ridout's associations with schools and school orchestra, and Barber's School for Scandal. But I can't make the rest stick.
Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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harmonyharmony
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« Reply #5262 on: 22:41:35, 29-09-2008 » |
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Is it anything to do with Racine? Britten, Phaedre Grétry, Andromaque Barber, Andromache's Farewell Ridout wrote a Cantique de Jean Racine (tangential...) Ah. Can't get any further than that...
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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Il Grande Inquisitor
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« Reply #5263 on: 06:50:46, 30-09-2008 » |
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It's not linked to Racine or to schools, I'm afraid.
Britten Nyman Messiaen Barber Grétry Alan Ridout Nørgård
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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harmonyharmony
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« Reply #5264 on: 08:45:03, 30-09-2008 » |
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For some reason, I can't stop thinking about Terrains vagues but I can't see how that has anything to do with anything.
'On Margate Sands. I can connect Nothing with nothing.' (Eliot)
Time to go to work.
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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